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More cultural misunderstandings
- To: John Cowan <cowan@SNARK.THYRSUS.COM>, Eric Raymond <eric@SNARK.THYRSUS.COM>, Eric Tiedemann <est@SNARK.THYRSUS.COM>
- Subject: More cultural misunderstandings
- From: CJ FINE <cbmvax!uunet!BRADFORD.AC.UK!C.J.Fine>
- Date: Mon, 6 Jul 1992 11:41:26 BST
- Reply-To: CJ FINE <cbmvax!uunet!BRADFORD.AC.UK!C.J.Fine>
- Sender: Lojban list <cbmvax!uunet!CUVMB.BITNET!pucc.Princeton.EDU!LOJBAN>
Re Bob Slaughter's tale of Snow White, and Ivan's Bulgarian story:
There are ever so many stories, fictional and real, about people not
understanding what is intended by another culture's fabulation or drama.
Some of my favorite examples:
According to Richard Feynman, when a film was shown for the first time
in a town in Tuva (Central Asia), angry patrons demanded their money
back because of all the close-ups - they'd paid for a whole film, not
parts of people.
Several of Jack Vance's novels play with the idea, particularly the
rather feeble "Space Opera" (trying to perform Fidelio to a troglodytic
non-human race) and the much better "Showboat World" with plenty of
examples.
The version of "Romeo and Juliet" played by the players in "Nicholas
Nickelby": given a happy ending. (The 'different culture' here was the
same culture 250 years later)
The otherwise excellent Halas and Batchelor version of Orwell's "Animal
Farm", given a ghastly happy ending where the forces of
motherhood-n-apple-pie, represented by good, decent animals everywhere,
come and triumph over the evil empire, sorry, farm. (the 'different
culture' is about fifteen years, or maybe twenty.)